In November 2016, China passed a film law banning content deemed harmful to the "dignity, honor and interests" of the People's Republic and encouraging the promotion of "socialist core values", approved by the National People's Congress Standing Committee. China has also become a major hub of business for Hollywood studios. The country has the largest number of screens in the world since 2016, and is expected to become the largest theatrical market by 2019. In 2016, the gross box office in China was CN¥45.71 billion ( US$6.58 billion). In 2012 the country became the second-largest market in the world by box office receipts.
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Wolf Warrior 2 (2017) beat them out to become the highest-grossing film in China.Ĭhina is the home of the largest movie & drama production complex and film studios in the world, the Oriental Movie Metropolis and Hengdian World Studios, and in 2010 it had the third largest film industry by number of feature films produced annually. The Mermaid (2016) was the first to CN¥3 billion. Monster Hunt (2015) was the first to reach CN¥2 billion. Lost in Thailand (2012) was the first Chinese film to reach CN¥1 billion at the Chinese box office. After The Dream Factory (1997) demonstrated the viability of the commercial model, and with the growth of the Chinese box office in the new millennium, Chinese films have broken box office records and, as of January 2017, 5 of the top 10 highest-grossing films in China are domestic productions. The post-1990 period saw the rise of the Sixth Generation and post-Sixth Generation, both mostly making films outside the main Chinese film system which played mostly on the international film festival circuit.įollowing the international commercial success of films such as Crouching Tiger, Hidden Dragon (2000) and Hero (2002), the number of co-productions in Chinese-language cinema has increased and there has been a movement of Chinese-language cinema into a domain of large scale international influence. The movement partially ended after the Tiananmen Square protests of 1989. Films like Red Sorghum (1987), The Story of Qiu Ju (1992) and Farewell My Concubine (1993) won major international awards. Starting in the mid to late 1980s, with films such as One and Eight (1983) and Yellow Earth (1984), the rise of the Fifth Generation brought increased popularity to Chinese cinema abroad, especially among Western arthouse audiences. The industry flourished following the end of the Cultural Revolution, including the "scar dramas" of the 1980s, such as Evening Rain (1980), Legend of Tianyun Mountain (1980) and Hibiscus Town (1986), depicting the emotional traumas left by the period. During the Cultural Revolution, the film industry was severely restricted, coming almost to a standstill from 1967 to 1972. Despite this, movie attendance increased sharply. After the communist revolution in 1949, domestic films that were already released and a selection of foreign films were banned in 1951, marking a tirade of film censorship in China. Spring in a Small Town (1948) was named the best Chinese-language film at the 24th Hong Kong Film Awards. After being completely engulfed by the occupation in 1941, and until the end of the war in 1945, the film industry in the city was under Japanese control.Īfter the end of the war, a second golden age took place, with production in Shanghai resuming. It influenced wartime Japanese animation and later Osamu Tezuka.
Princess Iron Fan (1941), the first Chinese animated feature film, was released at the end of this period. A "Solitary Island" period began in Shanghai, where the filmmakers who remained worked in the foreign concessions. After the Japanese invasion of China and the occupation of Shanghai, the industry in the city was severely curtailed, with filmmakers moving to Hong Kong, Chungking (Chongqing) and other places. The dispute between Nationalists and Communists was reflected in the films produced. The 1930s, considered the first "Golden Period" of Chinese cinema, saw the advent of the leftist cinematic movement. The first sound film, Sing-Song Girl Red Peony, using the sound-on-disc technology, was made in 1931. In the early decades the film industry was centered on Shanghai.
The cinema of China is one of three distinct historical threads of Chinese-language cinema together with the cinema of Hong Kong and the cinema of Taiwan.Ĭinema was introduced in China in 1896 and the first Chinese film, Dingjun Mountain, was made in 1905.
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